Formed in the early '80s by former
One Below Zero leader
Dennis Greaves (vocals and guitar) and second guitarist (and occasional vocalist)
Mick Lister,
the Truth's mixture of '60s rock and R&B veered away from the bluesy grind of
Greaves' former band and embraced a more melodic pop sound. Emerging from the shadows just as
the Jam broke up and Paul Weller formed
the Style Council,
the Truth filled in all the musical blank spaces in between. Not as "punky" as former or as smooth as the latter,
the Truth's energetic pop & soul jive came at just the right time. After a slew of great EPs (Confusion Hits Us Everytime, No Stone Unturned, A Step in the Right Direction, Five Live) and just as many lineup changes,
the Truth finally settled down in 1985 with the awe-inspiring
Playground album and their strongest lineup yet. Alongside
Greaves and
Lister sat keyboardist
Chris Skornia (formerly of
the Fabulous Poodles), bassist Richard Parfitt (later, the leader of '90s Brit-pop band
60 Foot Dolls), and drummer
Allan Felder. After touring the U.S. a few times behind the
Playground album,
the Truth dropped off the radar map. When they re-emerged in 1987 with the irritating
Weapons of Love album, they were by then a duo with
Greaves and
Lister remaining as the sole bandmembers. Dropping their soul influences,
the Truth were unfortunately concentrating on their "rock" side, filling the album with subpar rock anthems for mullet heads everywhere. For the quality control to drop that fast that quickly was a shock to their many fans. And it didn't stop there. After hooking up with producer
Roy Thomas Baker for the awful "It's Hidden," the theme from the film The Hidden, the duo quickly faded from view. With a "never say die" attitude,
the Truth popped up again in 1989 with the album
Jump. Aided by a new rhythm section (including former
Advertising/
Secret Affair/
Nik Kershaw bassist
Dennis Smith), the all-new
Truth were actually worse than their 1987 selves. Sinking even more into the limp commercial rock abyss,
Jump was another dud. Only "Straight to My Heart" resembled
the Truth of old. Talented as they were, it was a relief to know that they officially called it a day soon after the release of
Jump.
–
Steve "Spaz" Schnee, Rovi